- It should be noted that Israel’s media revolution of the 1990s, including the appearance of commercial channels, actually drove a rise in quality drama offerings. Although commercialization also led to a proliferation of (low brow) reality shows, the opening up of the market and the professionalization that took place caused the industry to flourish and was a major factor in the development of high-quality quality Israeli dramatic series.
- Aviad Houminer-Rosenblum, “Like Brits”, Haaretz, April 20, 2021.
- Oren Frisco, Television (G), The Seventh Eye, July 2, 2020.
- Ariana Melamed, “Kan 11, Don’t Abandon Your Public Function,” Haaretz, April 13, 2021.
- For example: Metir Agunot, Od Nipagesh, Rav Hanistar, B’Ikvot Aron HaBrit, Rabenu, She’elaU’Teshuva, Sodot Mishpacha, and Aron HaShirim HaYehudi.
- In an interview, the author expressed concern or disappointment over Israeli publishers’ lack of interest in the book. See also: ZIPI Shmulevitch, “Benzion and His Grudges: the New Novel About Benjamin Netanyahu’s Father,” Ynet, June 9, 2021.
- Tzach Yoked, “That’s what Netanyahu learned from his father,” Haaretz, May 30, 2021
- Noah Kulwin, “An Origin Story for the Netanyahus,” The New Republic, June 24, 2021.
- Yerushalmi, Y. H., 1982, Zakhor: Jewish History and Jewish Memory. Tel Aviv: Am Oved.
- Taffy Brodesser-Akner, “The One About Bibi Netanyahu’s Father and the Perils of the Diaspora, The New York Times, June 18, 2021.
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