{"id":4011,"date":"2021-02-17T15:24:18","date_gmt":"2021-02-17T13:24:18","guid":{"rendered":"http:\/\/jppi.org.il\/?post_type=article&#038;p=4011"},"modified":"2021-04-22T16:23:36","modified_gmt":"2021-04-22T13:23:36","slug":"jewish-creativity-across-the-ages-what-about-the-corona-age","status":"publish","type":"post","link":"https:\/\/jppi.org.il\/en\/jewish-creativity-across-the-ages-what-about-the-corona-age\/","title":{"rendered":"Jewish Creativity Across the Ages \u2013 What About the Corona Age?"},"content":{"rendered":"<a href=\"http:\/\/jppi.org.il\/wp-content\/uploads\/2021\/03\/JewishCreativityOG.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4013\" src=\"http:\/\/jppi.org.il\/wp-content\/uploads\/2021\/03\/JewishCreativityOG.png\" alt=\"\" width=\"1200\" height=\"630\" srcset=\"https:\/\/jppi.org.il\/wp-content\/uploads\/2021\/03\/JewishCreativityOG.png 1200w, https:\/\/jppi.org.il\/wp-content\/uploads\/2021\/03\/JewishCreativityOG-300x158.png 300w, https:\/\/jppi.org.il\/wp-content\/uploads\/2021\/03\/JewishCreativityOG-1024x538.png 1024w, https:\/\/jppi.org.il\/wp-content\/uploads\/2021\/03\/JewishCreativityOG-768x403.png 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<p><em>Creativity means change and innovation, generating new products and ideas. In modern times, Jewish creativity exploded when discrimination ended, but creativity existed even in biblical times. Anxiety, education, and multicultural views are drivers of creativity. The COVID-19 pandemic and anti-Semitism are now increasing anxiety and are, thus, likely to boost Jewish creativity. \u00a0<\/em><\/p>\n<p><em><u>What is Creativity?<\/u><\/em><\/p>\n<p>The COVID-19 crisis could have major, transformative consequences for the whole world as well as the Jewish people and Israel. If Jewish history is a guide, the pandemic could boost Jewish creativity in many fields, like no other single event since World War II and the Shoah.<\/p>\n<p>What is creativity? Definitions abound. Creativity is the mother of change and innovation. It is the will to generate new ideas and products by combining knowledge from many different sources. At its most basic level, creativity is a biological concept. All life forms seek longevity, individually or as a group. As the environment is always changing, life must keep adapting. Animals have changed over 500 million years, not only to cope with new climates but also to avoid being eaten by other animals. \u00a0Biologists regard predation as a key reason for animal evolution. Far-fetched? \u201cPredation\u201d in a wider sense can explain much human creativity too.<\/p>\n<p>However, there are examples when creativity also meant immobility. Rejecting change could sometimes guarantee longevity, as long as the environment was exceptionally stable and enemies, most of the time, far away. Pharaonic Egypt is a phenomenal example. It went almost 3300 years, without revolutions in its religion, language, writing, art, economy, or governance. But when ancient Egypt met radically different global civilizations, Hellenism, Rome, Christianity, it crumbled fast. It left impressive ruins but no living traces. Parts of ultra-Orthodox Judaism are another, closer example. From the 18<sup>th<\/sup> century on, it strove for permanence by obstructing change. But when a murderous enemy confronted them, they were unable to grasp reality and flee while many still could. Nearly all identifiably Orthodox Jews under Nazi occupation perished. Today\u2019s Israeli Haredim claims to follow the East-European model; their refusal to change is a risky survival strategy.<\/p>\n<p><em><u>Was Judaism Always \u201cCreative\u201d?<\/u><\/em><\/p>\n<p>Is creativity a historical Jewish attribute? There is an old debate about this question, conducted under different names. \u201cCreativity\u201d is a 20<sup>th<\/sup> century term. Before, it did not exist in the English language lexicon. In ca. 90 CE, Flavius Josephus argued against the Egyptian anti-Semite Apion, that the Jewish religion was superior to all others. The Jews had produced the world\u2019s greatest philosophers. He praised the Jews for their greater \u201ccreativity,\u201d but in his Aramaic and Greek, \u201ccreation\u201d was limited to divine, not human action.<\/p>\n<p>In 1919, the American sociologist Thorstein Veblen published a research paper, \u201cThe Intellectual Pre-Eminence of Jews in Modern Europe.\u201d Intellectual pre-eminence is a key condition of creativity. However, asserting that Jews had more of it than others was not advisable. A broad discussion that was already underway continued under a more innocuous title. \u201cThe Jewish Contribution to Civilization\u201d became an academic and popular issue.<\/p>\n<p>The late 19<sup>th<\/sup> century saw a battle among Christian and Jewish scholars about the \u201coriginality\u201d of the Hebrew Bible. For example, did the Jews invent the seventh day of rest, the Sabbath, as they claimed, or did they take it from the Babylonians, as German and English Protestants tried to prove? Was there something innate to the Jews, to their mindset or genetics, that could explain long-term creativity? Or did similar external conditions across centuries produce similar results? Answering these questions is difficult because the definition of creativity is flexible and value-based. Today everybody values the seventh day of rest. But this was not always so. The Roman philosopher Seneca scorned the Jews for their religion that wasted, according to him, 15 percent of their life.<\/p>\n<p>What can be assessed with relative objectivity is the long duration of a civilization, the catastrophes it had to endure, and whether essential components of beliefs, religious practice and language survived these breaks. By these criteria ancient Israel, Judaea and the Jewish people can be called a continuous, \u201ccreative\u201d civilization. This civilization re-emerged, profoundly modified, after two catastrophic breaks, the destruction of the First and the Second Temples. Judaism finds itself today in midst of a third, still ongoing break that peaked so far in the Shoah and the creation of the State of Israel.<\/p>\n<p><em><u>The \u201cJewish Contribution to Civilization\u201d debate continues<\/u><\/em><\/p>\n<p>From the mid-20<sup>th<\/sup> century on, a renewed stream of publications on \u201cJewish contributions\u201d in general or in specific fields, has focused on modern times. Many of these were apologetic responses to anti-Semitism. \u00a0Statistics citing that a quarter or more of all Nobel Prize laureates have been Jews are endlessly repeated. \u00a0Yuri Slezkine\u2019s 2004 book, <em>The Jewish Century<\/em>, is widely read. \u00a0What publications on \u201cJewish contributions\u201d have in common is that they all regard Jewish creativity as a specifically modern phenomenon.<\/p>\n<p>Creativity in Europe was prompted by the Emancipation, the march \u201cOut of the Ghetto\u201d (Jacob Katz) when hitherto closed professional avenues opened to Jews, and in the United States, by the removal of socio-economic and educational discrimination after 1945. When the Jews\u2019 pent-up demand for recognition and success was released, their creativity exploded in all directions. Thorstein Veblen had concluded that Jewish \u201cpre-eminence\u201d would disappear together with their discrimination. Once Jews got equal rights, including their own state, they would no longer need to excel and would become like everybody else. Zionism\u2019s victory (written in 1919!) would put an end to Jewish creativity. So far there has been no end to Jewish creativity, nor to the pressures that drive it.<\/p>\n<p><em><u>Drivers and Conditions of Creativity<\/u><\/em><\/p>\n<p>Creativity is a gift of exceptional persons backed by a public or a ruler. It is stimulated by contact with other creative persons. A \u201ccreative country\u201d is a country that has some creative persons. They tend to appear just before, during and after major historic changes. Studying their biographies is difficult in ancient times but easier in modern ones. A number of psychological and sociological conditions are encouraging creativity.<\/p>\n<ol>\n<li><u>Anxiety<\/u> is the main <u>driver<\/u> of Jewish creativity. It arises from stress, pressure, marginality, exclusion, discrimination, persecution, expulsion, flight, war, genocide \u2013 and from lasting, inter-generational memories of all these. The title of a recent book by Norman Lebrecht says it in one phrase: <em>Genius and Anxiety \u2013 How Jews Changed the World 1847-1947<\/em> (2019).<\/li>\n<li><u>Curiosity <\/u>is a second <u>driver<\/u>, a corollary of anxiety. \u201cA generous and elevated mind is distinguished by\u2026an eminent degree of curiosity. Nor is that curiosity ever more\u2026.employed than in examining the laws and customs of foreign nations,\u201d said Dr. Johnson, England\u2019s famous 18<sup>th<\/sup> century writer. Anxiety without asking questions is not creative. Jews are curious. All of Israel\u2019s great prophets who predicted, watched or survived<\/li>\n<\/ol>\n<p>the destruction of the First Temple asked questions. Why, why? The most \u00a0famous book written by a Shoah survivor, Primo Levy\u2019s <em>Is This A Man?<\/em> asks question after question (1947). \u00a0Even its title is a question.<\/p>\n<ol start=\"3\">\n<li><u>Education<\/u> is the first <u>enabling condition<\/u> of creativity. \u201cCombining knowledge from many different sources,\u201d as creativity was defined, requires a lot of education. Figures for pre-1933 German and post-1945 American Jews show a correlation between educational performance and creativity as measured by contributions to science, the economy, arts and letters etc. Education is a necessary condition of creativity but is insufficient alone.<\/li>\n<li><u>Cultural Versatility <\/u>is the second <u>enabling condition<\/u> of creativity. This means a familiarity with more than one culture, language and tradition, an awareness that there could be different perspectives and more than one solution to a problem. The Talmud\u2019s discussions encouraged different answers to one question, and the Jews\u2019 numerous migrations brought \u00a0knowledge from many languages and cultures.<\/li>\n<\/ol>\n<p>This list of drivers and conditions is not exhaustive. Not all knowledge is acquired in the classroom. Some is sub-conscious and can appear in sudden <u>inspirations<\/u>. The Renaissance biographer Vasari describes how Leonardo Da Vinci waited for hours for inspiration before he began painting. Also, <u>intelligence<\/u> has been omitted as a condition of creativity. The issue is politically explosive. Apparently half of intelligence is hereditary; more than 40 genes can be linked to it. For the Jewish people and in Israel, the anxiety factor \u2013 its symptoms are visible \u2013 \u00a0has returned as a powerful potential driver of creativity. As if the pandemic was not enough, the global rise of anti-Semitism is challenging peace and security in the Diaspora, while threats to Israel\u2019s existence have never disappeared.\u00a0 Also, the employment crisis will emphasize the importance of education, the first enabling condition of creativity. Crises stimulate creativity. This is already clear in the medical and pharmaceutical fields where new Israeli and Jewish contributions to science, innovation, and health care are widely recognized. The COVID-19 challenge could also play a role in the remarkable expansion of Israel\u2019s high-tech sector in the disaster year 2020, and the unbroken growth of Israel\u2019s high-tech exports. Networking and cooperation in science, technology, and finance kept increasing globally and in the Jewish\/Israeli world \u2013 a bonus for high-tech. Culture is suffering. It will take many years for creative impacts of the crisis on literature, the arts, music and movies to emerge, and maybe longer for the political consequences to play out. The public\u2019s disaffection with politics is worsening. An ultimate victory of Israeli creativity would be the overdue reform of its political system.<\/p>\n<p><em><u>A Creativity Policy?\u00a0 <\/u><\/em><\/p>\n<p>True creativity is a mystery. There are no policies to generate it if it does not exist, but if it does, policies can identify, encourage, and reward it. The Israeli military has a policy of identifying brilliant mathematics and physics students at pre-university levels and channeling them into the country\u2019s defense sector. The army\u2019s high-tech graduates are building Israel\u2019s economic future. This is a creativity policy in everything but name. Israel needs a broad <u>creativity policy<\/u> not limited to technological innovation, in order to strengthen Jewish\/Israeli hard and soft power. There are two questions: What must we measure when assessing creativity, and how do we measure it? Answers could substantiate our suggestion that new COVID-induced anxieties are greatly increasing Jewish creativity. A proven fact or a convincing hypothesis?\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Creativity means change and innovation, generating new products and ideas. In modern times, Jewish creativity exploded when discrimination ended, but creativity existed even in biblical times. Anxiety, education, and multicultural views are drivers of creativity. The COVID-19 pandemic and anti-Semitism are now increasing anxiety and are, thus, likely to boost Jewish creativity. \u00a0 What is Creativity? The COVID-19 crisis could&hellip;<\/p>\n","protected":false},"author":2,"featured_media":4021,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"tags":[],"class_list":["post-4011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","topics-creativity","library-publications"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/posts\/4011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/comments?post=4011"}],"version-history":[{"count":0,"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/posts\/4011\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/media\/4021"}],"wp:attachment":[{"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/media?parent=4011"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jppi.org.il\/en\/wp-json\/wp\/v2\/tags?post=4011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}